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England and Wales High Court (Chancery Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> Munim v Rahman [2022] EWHC 2870 (Ch) (21 November 2022) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2022/2870.html Cite as: [2022] EWHC 2870 (Ch) |
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BUSINESS AND PROPERTY CASES OF
ENGLAND AND WALES
INTELLECTUAL PROPERTY LIST (ChD)
Fetter Lane London, EC4A 1NL |
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B e f o r e :
Sitting as a judge of the High Court
____________________
MOHAMMED MUNIM |
Claimant |
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- and - |
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HAZIFUR RAHMAN -and- RIFAT AHMED -and- LE CHEF PLC -and- ARTA AWARDS LTD |
Defendant Third Party Fourth Party Fifth Party |
____________________
Ms Nora Wannagat, Mr Michael Dickin and Mr Al Mustakim (instructed by Capital Solicitors LLP) for the defendant and third party
Hearing dates: 24 to 27 October 2022
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Crown Copyright ©
HHJ JARMAN KC:
Introduction
Background to Le Chef
"As he was spending money from his own resources & shareholders money which I also assisted in getting funds from my network I was not aware that my share of 25% will be diluted. I would request that instead of the 25%, I would accept a total shareholding of 12.50% of the plan share issue of 12m at par value."
Background to ARTA
The share transfer forms
The employment contract
The logos and trophy
Principles of law in relation to the transfers of shares
Principles of law in relation to the logos and trophy
"In this Part a "work of joint authorship" means a work produced by the collaboration of two or more authors in which the contribution of each author is not distinct from that of the other author or authors."
"1. A work of joint authorship is a work produced by the collaboration of all the people who created it.
2. There will be a collaboration where those people undertake jointly to create the work with a common design as to its general outline, and where they share the labour of working it out. The first task for the court in such a case is to determine the nature of the co-operation between the putative joint authors which resulted in the creation of the work.
3. Derivative works do not qualify. Works where one of the putative authors only provides editorial corrections or critique, but where there is no wider collaboration, do not qualify. Ad hoc suggestions of phrases or ideas where there is no wider collaboration do not qualify.
….
5. Joint authors must be authors, in the sense that they must have contributed a significant amount of the skill which went into the creation of the work. Again, it is not correct to focus exclusively on who fixed the work in writing. The statutory concept of an author includes all those who created, selected or gathered together the detailed concepts or emotions which the words have fixed in writing.
6. Contributions which are not "authorial" in the above sense do not count. What counts as an authorial contribution is acutely sensitive to the nature of the copyright work in question.
7. The question of what is enough of a contribution is to be judged by the Infopaq test, i.e. whether the putative joint author has contributed elements which expressed that person's own intellectual creation. The essence of that term is that the person in question must have exercised free and expressive choices. The more restrictive the choices the less likely it will be that they satisfy the test.
8. The contribution of a putative joint author must not be distinct.
9. There is no further requirement that the authors must have subjectively intended to create a work of joint authorship.
10. The fact that one of the authors has the final say on what goes into the work may have some relevance to whether there is a collaboration, but is not conclusive. The author with the final say must be given credit in deciding on the relative proportions of ownership, for the extra work involved in making those choices.
11. It follows that the respective shares of joint authors are not required to be equal, but can reflect, pro rata , the relative amounts of their contributions."
"First ownership of copyright.
(1) The author of a work is the first owner of any copyright in it, subject to the following provisions.
(2) Where a literary, dramatic, musical or artistic work, or a film, is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary."
"As a rough and ready rule of thumb, if designs are created and paid for by another, the statutory rights under the Act should belong to that other. I can see no reason when the other is a company, why there should be a different outcome simply because the designer is also the managing director of the company and majority or sole shareholder… The subsection is broad enough to cover cases in which the employee does the design work within the scope of his employment, in his employer's time and with his employer's equipment and facilities, even if he, the designer, wants to keep the product for himself."
Conclusions