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England and Wales High Court (Queen's Bench Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Queen's Bench Division) Decisions >> Innovative Aged Care Ltd v Tidelius [2019] EWHC 3053 (QB) (15 November 2019) URL: http://www.bailii.org/ew/cases/EWHC/QB/2019/3053.html Cite as: [2019] EWHC 3053 (QB) |
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QUEEN'S BENCH DIVISION
Strand, London, WC2A 2LL |
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B e f o r e :
(Sitting as a Deputy Judge of the High Court)
____________________
INNOVATIVE AGED CARE LIMITED |
Claimant |
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- and - |
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MS BRITT-MARIE TIDELIUS [By Her Litigation Friend, MR ALEXANDER PEEBLES] |
Defendant |
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Duncan Lewis (instructed by Duncan Lewis) for the Defendant
Hearing dates: N/A
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Crown Copyright ©
Sir Robert Francis QC :
Introduction
i) The consent order dated 22 July 2019 sealed on 25 July 2019ii) The defendant's written submission on costs dated 24 July 2019
iii) The defendant's schedule of costs for summary assessment which is undated, and is not in the required form N260, but appears to refer to costs incurred between 9 and 26 July 2019.
iv) A four page bundle of correspondence supplied with these submissions
v) The claimant's written submissions on costs dated 24 July 2019
vi) The claimant's schedule of costs in form N260 dated 22 July 2019
vii) The claimant's reply submissions on costs dated 26 July 2019
viii) A 10 page bundle of correspondence supplied with the claimant's submissions
ix) The defendant's response to the claimant's submissions on costs dated 26 July 2019.
x) Such documents from the hearing bundle as are referred to in this judgment and/or in the parties' written submissions.
Background
The consent order
i) Master Thornett's order of 13 June 2019 be set asideii) The stay application be dismissed.
i) The enforcement officers would take control of the artworks at Cadogan Tate and would instruct them to continue to store them.ii) The claimant would instruct Christie's to sell the artworks, and accept Christie's advice on the location and timings of sale, provided that this would be within three months of the order. Should Christie's be unable or unwilling to sell the artworks the claimant would attempt a sale through other reputable auctioneers in accordance with their statutory obligations
iii) The proceeds of any sale would be remitted to the claimant's solicitor who would retain disbursements, sufficient to discharge the judgment debt, 50% of the claimant's costs associated with the sale, and a further £10,000 on account of the unassessed costs, with any residue to be paid to the defendant's solicitors.
The applications for costs
Principles
In deciding what, if any order to make about costs, the court must have regard to all the circumstances, including:(a) the conduct of all the parties;
(b) whether a party has succeeded on part of its case, even if that party has not been wholly successful; and
(c) any admissible offer to settle made by a party which is drawn to the court's attention, and which is not an offer to which costs consequences under Part 36 apply [CPR Pt 44(4)]
The "conduct of the parties" includes:
(a) conduct before, as well as during, the proceedings and in particular the extent to which the parties followed the Practice Direction—Pre-Action Conduct or any relevant pre-action protocol;
(b) whether it was reasonable for a party to raise, pursue or contest a particular allegation or issue;
(c) the manner in which a party has pursued or defended its case or a particular allegation or issue; and
(d) whether a claimant who has succeeded in the claim, in whole or in part, exaggerated its claim. [CPR Pt 44.2(5)]
The orders which the court can make include an order that a party must pay
(a) a proportion of another party's costs;
(b) a stated amount in respect of another party's costs;
(c) costs from or until a certain date only;
(d) costs incurred before proceedings have begun;
(e) costs relating to particular steps taken in the proceedings;
(f) costs relating only to a distinct part of the proceedings; and
(g) interest on costs from or until a certain date, including a date before judgment. [CPR Pt 44.2(6)]
The court can and should consider reflecting the relative success of parties on different issues by making a proportionate costs order, and in assessing the order the judge should consider what costs are referable to each issue and what costs are common to several issues: it will often be reasonable to award the overall winner not only the costs specific to the issues on which he has won but also the common costs: Multiplex Constructions (UK) Ltd, Cleveland Bridge UK Ltd [2008] EWHC 2280 (TCC); Mears Ltd v Leeds City Council [2011] EWHC 2694 (TCC); Supreme Court Practice §44.2.8. The exercise of making a percentage costs order, if that is the approach adopted, has to be "broad brush": Sycamore Bidco Ltd v Breslin [2013] EWHC 583 (Ch).
In relation to the assessment of costs, if to be assessed on the standard basis, the court will only allow costs which are proportionate to the matters in issue; costs which are disproportionate to the matters in issue may be disallowed or reduced even if reasonably and proportionately incurred [CPR Pt 44.3(2)].
In assessing costs the court must have regard to all the circumstances, and where assessing on the standard basis must consider whether the costs were proportionately and reasonably incurred or in amount. [CPR Pt 44.4(1). The court must have regard in its assessment to:
(a) the conduct of all the parties, including in particular—
(i) conduct before, as well as during, the proceedings; and
(ii) the efforts made, if any, before and during the proceedings
in order to try to resolve the dispute;
(b) the amount or value of any money or property involved;
(c) the importance of the matter to all the parties;
(d) the particular complexity of the matter or the difficulty or novelty of the questions raised;
(e) the skill, effort, specialised knowledge and responsibility involved;
(f) the time spent on the case;
(g) the place where and the circumstances in which work or any part of it was done; and
(h) the receiving party's last approved or agreed budget. [CPR Pt 44.4(3)].
The claimant's argument
i) Overall the claimant is the successful partyii) The defendant's initial application was premature in that it was commenced without any discussions with the claimant and without any or at least sufficient, notice.
iii) The defendant's application was misconceived in that there were no justified concerns as to the enforcement officers' care for the artworks or ability to obtain a fair price for them.
iv) In any event the claimant had proposed to store the artworks with Cadogan Tate, this meeting the defendant's concerns, but the defendant only agreed to this proposal on 19 July. The only concession, it is argued, is that the claimant has agreed to postpone the sale of the Hockney by 3 months.
v) Finally, the need for a writ of control has only come about because of the defendant's failure to satisfy the judgment debt. Any prior proposals had been vague and part of "a pattern of delay" on the part of Mr Peebles.
The defendant's arguments
i) She had entered without prejudice negotiations regarding the transfer of the artworks to the claimant by 5 February 2019.ii) The writ of control was applied for although the defendant had already offered to transfer the artworks to the claimant.
iii) The claimant's application for the writ was made without any notice to the defendant.
iv) The claimant then refused to accept the defendant's offer to stay the writ for further negotiations.
v) The claimant has not obtained through its application anything not otherwise available.
i) It is correct that overall the claimant is the successful party in the sense that an order has been obtained regulating the disposal of assets from which the judgment debt can be satisfied. However, it is far from clear to me that it was necessary to issue a writ of control, still less to seek to act on it, given the explanations given by Mr Peebles and the suggestions he made. I do not accept that he was unduly delaying taking reasonable steps to dispose of the artworks and generally administer a somewhat challenging estate on behalf of the defendant. The sale of artworks is to remain in the hands of Christie's and are to be held by Cadogan Tate to the order of the claimant. I see nothing to suggest that this outcome was not available by way of what Master Thornett called "grown up" behaviour.ii) In these circumstances, given Mr Peebles' duties to preserve the defendant's assets, I do not consider that the stay application was premature.
iii) While it is true that the enforcement officers are under a duty to take reasonable care to obtain a fair price, it was not unreasonable to explore whether it would better ensure the ability to get the best price by leaving the existing arrangements in place.
iv) Whatever may be the position about the claimant's willingness to leave the artworks in the custody of Cadogan Tate, the claimant did make a concession with regard to the timing of the sale.
v) It is of course correct that at all material times the defendant has been in default of paying the judgment debt and that the claimant was being kept out of money owed. In due course as the law requires, the compensation for that is represented by the additional interest due.
i) The so-called offer of 5 February 2019 is said to be evidenced by an email of that date. This refers to "the gallery" claiming a lien over the artworks which they were unlikely to release until paid what was owed to them (£18,000). The email stated that Mr Peebles expected this to be paid in full from the sale of one painting which was already with Christie's for that purpose. While Mr Peebles stated he would be willing to agree to a transfer of the artwork to the claimants, he doubted "the gallery" would be willing to do so until they were paid. This was not in my judgment an offer on which the claimant would reasonably be expected to rely. I assume the reference to the "gallery" is a reference to Cadogan Tate, but whether or not this is the case does not impact on the weight to be attached to Mr Peebles' proposal. A later email from Mr Peebles of 13 March inquired whether the claimant would accept an offer to settle on terms of their taking some of the artworks. Again, this was not an offer but an inquiry. It was in any event not the same in scope as the consent order which covers all the artworks apart from the Hockney.ii) The application for the writ of control was indeed made without notice on 29 March 2019 and then served in error on Cadogan Tate not the defendant on 7 June. It is not clear to me that a creditor is obliged to give notice of such an application, and in any event the claimant had notified the defendant of their intention to make such an application by a letter dated 29 March. The error was corrected by re-service on 13 June. I fail to see how the defendant has been materially prejudiced in any event. At all material times she – or rather Mr Peebles – was aware that the judgment debt was outstanding and that the claimant was free to take enforcement action.
iii) There is more substance in the defendant's criticism of the claimant for not acceding to a pause to allow for further negotiation. It is clear that Master Thornett thought that reasonable parties could agree a way forward at the time of his hearing on 13 June. I agree with what he had to say. The offer made the day before that hearing was indeed sensible, and I can see little material difference between it and the outcome contained in the consent order. The claimant argues that they had no time to consider the offer before the application for a stay was heard: this is true, but given the claimant's actions in pursuing the writ of control it was entirely reasonable for Mr Peebles to persist with his application to protect the defendant's position. Further, as pointed out in the defendant's submissions in reply, the proposal was not accepted as the basis for settlement until just before the hearing listed before me.
iv) The claimant has substantially obtained what they sought except for a concession as to timing. However, I accept that in all probability this result would have been obtained by further discussion without an application.
Conclusions on the appropriate order for costs
Assessment
Order